Defined by its notably sleek form factor, the black Canon EOS Rebel SL3 is a versatile DSLR offering an ideal mix of stills and video capabilities. Featuring a 24.1MP APS-C-format CMOS sensor and DIGIC 8 image processor, high-resolution stills and UHD 4K video recording are possible, along with a wide ISO 100-25600 sensitivity range to suit working in a variety of lighting conditions. In-camera 4K time-lapse movie creation is also possible for creatively depicting subjects over time. Benefitting the imaging attributes, the sensor's design also facilitates Dual Pixel CMOS AF, which uses phase-detection autofocus for quick, accurate, and smooth focusing performance when recording movies or shooting stills in live view. When shooting stills using the optical viewfinder, a 9-point phase-detection system is used for quick and accurate focusing in a variety of shooting scenarios.
Within the compact body design, a large 3.0" 1.04m-dot touchscreen LCD is featured for intuitive settings control and live view monitoring, and it uses a vari-angle design to permit easier viewing from high and low working angles. Additionally, built-in Wi-Fi is available for quick and convenient pairing with a smartphone or tablet for wireless image sharing, and Bluetooth is also featured for image sharing to and remote camera control from a mobile device.
Both a 24.1MP APS-C CMOS sensor and DIGIC 8 image processor are used to deliver high sensitivity and fast camera performance to suit both stills and video applications. A flexible native ISO 100-25600 range suits working in a variety of lighting conditions, and the processing capabilities minimize noise for notable clarity. The processor also enables up to 5 fps continuous shooting as well as UHD 4K video recording and a 4K time-lapse movie mode.
In addition to stills recording, the SL3 also supports UHD 4K24p video recording, as well as Full HD and HD recording. Video recording is benefitted by the inclusion of Dual Pixel CMOS AF and the Movie Servo AF focusing functions, as well as the touchscreen design of the LCD monitor for intuitive control. Movie Digital IS also helps to steady recordings by minimizing the appearance of camera shake across five axes for smoother footage. Additionally, an external microphone jack is incorporated in the body design for greater control over your recorded sound.
Employing the video capabilities, a dedicated Time-Lapse Movie mode can also be used to creatively depict subjects over a longer span of time. Interval settings between 1 second and 60 minutes are available for between 2 and 3600 consecutive frames. These individual frames can then be automatically compiled into a 4K or Full HD video file for seamless playback.
Benefitting stills shooting with the optical viewfinder, a 9-point phase-detection autofocus system provides quick and precise focusing in difficult lighting conditions. The center point is also a cross-type for enhanced accuracy and speed.
When recording video or shooting in live view, a Dual Pixel CMOS AF system is employed that offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. Eye Detection AF can also be employed to prioritize focus on a recognized subject's eye. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.
|Lens Mount||Canon EF-S|
|Camera Format||APS-C (1.6x Crop Factor)|
|Pixels||Actual: 25.8 Megapixel
Effective: 24.1 Megapixel
|Maximum Resolution||6000 x 4000|
|Aspect Ratio||1:1, 3:2, 4:3, 16:9|
|Sensor Size||22.3 x 14.9 mm|
|Image File Format||JPEG, RAW|
|Image Stabilization||Digital, 5-Axis (Video Only)|
|ISO Sensitivity||Auto, 100 to 25600 (Extended: 100 to 51200)|
|Shutter Speed||Mechanical Shutter
1/4000 to 30 Second
|Metering Method||Center-Weighted Average, Evaluative, Partial, Spot|
|Exposure Modes||Aperture Priority, Manual, Program, Shutter Priority|
|Exposure Compensation||-5 to +5 EV (1/3, 1/2 EV Steps)|
|Metering Range||1 to 20 EV|
|White Balance||Auto, Cloudy, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten|
|Continuous Shooting||Up to 5 fps at 24.1 MP for Unlimited Exposures (JPEG)
Up to 5 fps at 24.1 MP for up to 10 Exposures (Raw)
UHD 4K (3840 x 2160) at 23.976p/25p [120 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p/50p/59.94p [12 to 60 Mb/s]
HD (1280 x 720) at 50p/59.94p [26 Mb/s]
|External Recording Modes||4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/29.97p
Full HD (1920 x 1080) at 59.94i/59.94p
SD (640 x 480) at 59.94p
|Recording Limit||Up to 29 Minutes, 59 Seconds|
|ISO Sensitivity||100 to 12800|
|Audio Recording||Built-In Microphone (Stereo)
External Microphone Input (Stereo)
|Audio File Format||AAC|
|Focus Type||Auto and Manual Focus|
|Focus Mode||Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)|
|Autofocus Points||Phase Detection: 9 (1 Cross-Type)|
|Autofocus Sensitivity||-0.5 to +18 EV|
Viewfinder and Monitor
|Viewfinder Type||Optical (Pentamirror)|
|Viewfinder Eye Point||19 mm|
|Viewfinder Magnification||Approx. 0.87x|
|Diopter Adjustment||-3 to +1|
|Monitor Resolution||1,040,000 Dot|
|Monitor Type||Articulating Touchscreen LCD|
|Maximum Sync Speed||1/200 Second|
|Flash Compensation||-2 to +2 EV (1/3, 1/2 EV Steps)|
|Dedicated Flash System||eTTL|
|External Flash Connection||Hot Shoe|
|Memory Card Slot||Single Slot: SD/SDHC/SDXC (UHS-I)|
|Connectivity||3.5mm Microphone, HDMI C (Mini), Micro-B (USB 2.0)|
|Operating Temperature||32 to 104°F / 0 to 40°C|
|Operating Humidity||0 to 85%|
|Battery||1 x LP-E17 Rechargeable Lithium-Ion, 7.2 VDC, 1040 mAh (Approx. 1630 Shots)|
|Dimensions (W x H x D)||4.82 x 3.65 x 2.75" / 122.4 x 92.6 x 69.8 mm|
|Weight||15.84 oz / 449 g (Body with Battery and Memory)|
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 150 MB/s and write speeds max out at 60 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
While this card has been designed for cameras that are UHS-I / V30 / U3 compatible, it may be used in devices that do not support UHS-I / V30 / U3. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-I and U1, which supports minimum write speeds of 10 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s.